Singing chords harga kitchen sink stainless steel

The last time I went to caf é logan to see the third tuesday jazz series, a saxophonist played two altos simultaneously. How to install kitchen sink drain pipes this time, on my way to see the first vocalist ever to perform in the jazz series since it opened five years ago, with one of the biggest crowds caf é logan has ever seen, I expected something even more surprising. As it turned out, I wouldn’t be disappointed.

It was the second jazz series performance of the year, and the caf é—on the first floor of the university of chicago’s logan center for the arts—was packed. Arriving five or ten minutes early wasn’t enough for this show, which was otherwise casual, free and relaxed. Every seat in the house was taken, and as the minutes ticked down to showtime, you’d a need a crowbar to get anybody out of theirs.


In the corner were the guests of honor: a lean trio of vocals, guitar, and bass. The vocalist was dee, a member of the influential black music collective the association for the advancement of creative musicians (better known as the AACM). On guitar was john mclean, who had arranged of most of the songs on the setlist, and seemed to have brought five or six guitars. On bass was patrick mulcahy, standing in last-minute for somebody who’d been in a car accident the night before. (no injury.)

It only took the few minutes before the show began for the atmosphere to sink into the skin. The whole caf é was shades of blue: electric-blue lights on the amplifiers, dyed-blue jeans, dark blue walls, light blue ceiling. Instead of a stage, the band had set up in a corner of the room, in front of the windows. Single versus double kitchen sink lights dangled over the band; one made a hat for mulcahy’s bass. It had been dark already for a few hours, and through the windows were a few parked cars, hundreds of leafless trees, and the warm, yellow lights of the hospital across the midway.

The trio opened the show on a nostalgic note, with a jazz arrangement of “yesterday” by the beatles, and ella fitzgerald’s “I’m old fashioned.” eyes wandered to the black-and-white photos of musical greats on the wall of the caf é , a new installation—aretha franklin, howlin’ wolf, memphis slim, and ma rainey II were looking on. Things were slow and a little romantic. Electric guitar notes hung in the air. Diy kitchen sink installation A couple waltzed cheek-to-cheek beside the printer. Married people took their spouses by the arm.

But alexander, acting as the MC for the show, didn’t stay nostalgic or downbeat for long. She’s a radio DJ for WFMT, and like most radio djs, she has a snappy, cheerful, and teasing sense of humor. Sizing up the room and leaning jauntily on the mic stand, she asked: “how many people here have been in love?” A few claps. She leaned harder on the mic.

As it turned out, alexander and mclean’s fooling around didn’t stop with the conversation. Kitchen sink company instead, their sense of humor fed into a virtuosic performance. During the next song, mclean started to improvise, picking notes, which dee copied with her voice. In no time fast, their back-and-forth grew lengthy and complicated. McLean kept upping the ante, but eventually, realizing that there wasn’t anything he could pick that alexander couldn’t sing, he gave her one last challenge: he started to strum. Between laughs, dee protested that she couldn’t sing chords.

It might have ended at that, but later in the night, near the end of the second set, alexander returned to the challenge. She and mclean started to go back and forth again, but this time, it was serious. She sounded like an instrument, whispering small vocalizations that exploded in the air, and as she started to speed up, the line between discrete notes quivered and disappeared. Suddenly, there it was: dee alexander was singing chords.

It was just past 10pm when the second set came to an end. As the people made their way out of the caf é , I spoke briefly with alexander and mclean. Kitchen sink restaurant st louis mo I asked alexander how it felt to be the first vocalist at the caf é in five years. She looked tickled, “actually,” she said, “I’ve been here before!” as it turns out, alexander has performed at the caf é before, outside of the jazz series. “but it feels great to be here. I can just feel the love,” and then, sounding more like a member of the audience than a performer said, “I had a great time, as always.”